What does david guetta use

This is just drawing an envelope of volume. Add Your Gear Setup. David Guetta. Music Producer. Electronic Pop. Hide incorrect submissions. Mac App Store.

See details Upvote the most relevant gear Upvote the most relevant gear Image Line. Beats By Dr. Best Buy. Mixed In Key. Plugin Boutique. Check price on official site. Vitamin Sonic Enhancer is a multiband harmonic enhancer and also a sound-shaping tool that can make your mixes powerful without losing any quality.

View plugin details. He uses this plugin to achieve a bounce effect on his mixes. This plugin is free of cost. Download for free. UAD Bundle consists of a lot of useful mixing and mastering tools. The below picture is a screenshot of David Guetta mixing a track. Clearly shows that he has the entire bundle of UAD plugins. View UAD Plugins. If you are a DJ and need to impress your crowd with a little bit of unique twist on spot, you need to invest in one of these.

RMX serves up all the possibilities of studio effects and beatboxes. DJS is 16 track DJ track dynamic sampler. You can use this to create unique phrases and samples ahead of your sets. It is very convenient if you are a regular performer. Also was used by David Guetta. David Guetta partnered with Dr. Dre to create the perfect headphones for DJs and this was the end result and he made it and he obviously uses it. Check the price and reviews on Amazon: Beats by Dr.

Dre Mixr On-Ear Headphones. Another personal favorite of mine, when I first started to learn to DJ still not a pro. Visit official site. Sex in the middle of the crowd. Groups of girls flashing me. I used to play after-parties, and that was on a whole other level. That was many years ago — people that would fall asleep and some guys would cut their hair or draw mustaches on them. Your music obviously puts up massive numbers on streaming platforms. Do you pay attention to those metrics?

Early in my career, I was making music [that was a reaction] against pop music, like being anti-system. I was on radio all the time, and then I was obsessed with those numbers. I started an alias called Jack Back for more house and underground music. That actually brought me way more happiness and more creativity in being a producer. This is actually a really big problem for any artist -- when you start to have huge hits, it brings so much to your life that you want to keep doing it.

But in order to keep doing it, you become a little safe. Creatively, that really messes you up. I just realized that I was obsessing with making hits, and that was not necessarily the best way to make quality music. That was so funny! They usually only do politicians, but they created a Muppet that was me, and it was really funny too. At the same time there was this one button on the SNL skit, this other skit was the story of this guy who was working in a piano shop and creating pianos for famous artists.

He prepares a very unique piano for David Guetta, and they show the piano and there's only one key. At my home in London. One of the kids was making music, and that was really crazy and special for me because we kept in contact and he sent me his music and of course one day he died.

It was really hard, but I was also really happy to have that experience. It was intense. He always wanted to do less, whereas I always want to do more.

The song was sung by a brand new girl, Delilah Montague. It is really different from anything else. I think the secret of a very big hit is the combination of a fresh, exciting new sound, and a timeless melody. I wrote the song with Stargate, and they had an idea that was more like a hip-hop record, and I suggested we turn it into something else.

Some guys from the label had dropped by in the studio, and brought a vocalist along, Saweetie, and she ended up on the track. We started from scratch. Linus played me four different chord progressions, and I picked one, and we went from there. In my experience it is easier to write a good record from chords, instead of from a finished instrumental.

Of course this is very debatable, and I have written songs in many different ways, but in my opinion this is the best way. You want to give the songwriter the freedom to express to him or herself. Finally, we got into the drop, and the idea was to combine all the different elements. I did not want to do a pure vocal chop, because that has been done so much, so we combined vocal chops with synth sounds, which I think came out pretty cool.

David Guetta at work in Sonic Vista, the biggest professional studio on the island of Ibiza. Once a song has come into being, the next step is the production process, which, as everyone working in studios knows, can be lengthy and involved.

The creation of the demo usually is the most exciting. Production takes way more patience, and also, it sometimes tells the truth about a record. That happens a lot. I tend to overproduce, and when Linus and I went back into the studio, we stripped things down.

Less is more! I tried Logic too, when I was working with Fred a lot, and Giorgio also uses it, so I had to learn it. As a DJ I try to give people a unique experience for each concert, so every record I play is a unique edit. I would just kill myself! It is the same for the Rolling Stones. So I am playing my hits, and I always try to keep the essential sections, but also to come up with a new drop, for example. Although Guetta prefers to collaborate during the writing process, he spends a lot of time working on his own when shaping and mixing the songs he co-writes.

They are almost unbelievable for their size! They always sound good, with really good bass, even if the rooms are not acoustically treated. In the past I recorded vocals and instruments at my home, but now my experience is that it is better for me to go to a proper studio and use an engineer for those things.